BELOW ARE MORE PROMPTS YOU MIGHT CONSIDER USING TO INCITE YOUR IMAGINATION ABOUT YOUR NOVELS
Monday, October 31, 2016
"The Lottery" analysis and due date for blue sheets
We will begin the analysis of "The Lottery" on the blue sheets in class. The finished version is due:
Blocks F & H - Wednesday November 4
Blocks C & D Thursday November 3
You are expected to use your literacy time, which is 1/2 hour at home, on this analysis.
Sunday, October 30, 2016
Today:
1/2 hour of reading your dystopian novel w/reading journal.
15 Minutes of MEMBEAN - let's see if we can move forward.
Analysis of "The Lottery" - YOU MUST FIND EVIDENCE FOR THE FOLLOWING:
THEME - What is the theme? Two parts (cause and effect).
DRAMATIC ARC - Major events that move the story forward.
CONTROL - What control is evident in the story?
Click Rising Action and Theme "The Lottery" here for a copy of the evidence form.
Click Rising Action and Theme "The Lottery" here for a copy of the evidence form.
Wednesday, October 26, 2016
IN A DYSTOPIAN WORLD
Here is a visual that will aid in the understanding of how a protagonist and an antagonist look in Dystopian Literature. Basically, the CONTROL serves as the antagonist that the protagonist must overcome. But, that control can take on the form of a person, as President Snow stands in for BUREAUCRATIC CONTROL in The Hunger Games, as does the Handicapper General in "Harrison Bergeron". Or, say the townspeople with their PHILOSOPHICAL BELIEFS in "The Lottery". The characters become symbols of the control.
Tuesday, October 25, 2016
DUE DATE ALERT
ANNOTATION OF "THE LOTTERY" SHOULD BE COMPLETE BY
THURSDAY (F AND H)
OR FRIDAY (C AND D)
OF THIS WEEK DEPENDING ON WHAT CLASS YOU ARE IN! YOU WILL USE YOUR ANNOTATIONS FOR YOUR ANALYSIS!
Monday, October 24, 2016
"The Lottery" annotation and analysis; Dystopian Reading Journals; STATIC AND DYNAMIC CHARACTERS
1) Please update your reading log and be sure to copy your
book covers and place them on our reading wall.
2) Fifteen minutes of book talk.
3) Half hour of annotation of "The Lottery" - Hopefully, we will conclude this exercise and move into analysis.
4) Remainder - reading your dystopian novel and make entries in your writing journal.
JOURNAL ENTRY CONSIDERATIONS
Remember you are looking for evidence to support:
- Theme
- Dramatic arc or events that lead the story forward
- (status quo; conflicts or rising action; crisis; climax; resolution)
- Evidence of Dystopian Controls (techno; philosophical/cultural belief; corporate; bureaucratic)
- Characters (static or dynamic)
DEFINITION:
Dynamic vs. Static Characters Characters experience varying amounts of change over the course of a story. Two types of characters are
• Static characters that do not experience basic character changes during the course of the story.
• Dynamic characters that experience changes throughout the plot of a story.
Although the change may be sudden, it is expected based on the story’s events. A story’s characters fall within a range—from very static characters that experience no change to very dynamic characters that undergo one or more major changes.
HERE'S A LITTLE VIDEO THAT HELPS EXPLAIN THE DIFFERENCE
Wednesday, October 12, 2016
ANNOTATION EXAMPLES "THE LOTTERY"
EXAMPLES OF HOW YOU SHOULD ANNOTATE LITERARY TEXTS:
Hopefully, we can add to this annotation in class!
"THE LOTTERY" by Shirley Jackson
Please also remember that you have other examples of annotation in your notebooks!
Hopefully, we can add to this annotation in class!
"THE LOTTERY" by Shirley Jackson
Please also remember that you have other examples of annotation in your notebooks!
Saturday, October 8, 2016
Dystopian Literature Guidelines
DYSTOPIAN LITERATURE
You will get a hard copy of these guidelines,too
STEP 2 –
CLASSROOM READS OF “THE LOTTERY” BY SHIRLEY JACKSON AND “HARRISON BERGERON” BY KURT VONNEGUT AND SELF-SELECTED DYSTOPIAN
SHORT NOVELS
GOALS
·
To discover the characteristics AND
controls of Dystopian societies in literature
·
To analyse the “themes” in Dystopian
literature
·
To explain how the Dystopian protagonist
drives the dramatic arc forward in a novel or short story
·
To compare a written text to a film
version and discuss why there are differences
ENDURING
UNDERSTANDING
·
Authors
place their protagonist in positions that upset the status quo, causing the
protagonist to question their society, which drives the dramatic arc of a
story forward and clarifies the theme.
ESSENTIAL
QUESTIONS
·
How
do the questions and decisions a protagonist makes in response to an
antagonist’s action or an event in a novel or short story drive the dramatic
arc forward?
·
How
does the protagonist and the challenges he/she faces help to reveal the theme
(what the author wants the reader to take away from the novel) in a novel or
short story?
·
What
can literature tell us about what societies are willing to sacrifice for
FREEDOM – SAFETY – INDIVIDUALITY - EQUALITY
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PART 1
Together, we will explore the characteristics and controls of “Harrison Bergeron” by Kurt Vonnegut,
and “The Lottery” by Shirley Jackson
using journal entries and discussions that address the following:
a)
First, let’s look at “The Lottery” and “Harrison
Bergeron” (use the following guiding questions to make entries in your reading
journals
Ø What
ideas, situations, or decisions were revealed in the readings?
Ø What
events in the reading provides evidence that the book/short story has dystopian characteristics? Be
specific, use names, places, and the situation.
Ø What
dystopian control(s) is/are emerging as you read the text? EVIDENCE
Ø My
favorite quotes or passages from this week’s reading are (quote directly from
the novel and explain WHY they(it) are(is) a favorite(s). Remember to look for quotes or passages that
will help you identify important events or something that might reveal the
theme of the book.
Ø How did
the events in this week’s reading move the dramatic arc forward? In other
words, if this event or decision DID NOT HAPPEN, would there still be a story?
Ø What am I
thinking the theme MIGHT be after reading?
What can I infer based on what has been read, so far. Remember, your inferences
might change as the reading progresses.
Ø My
questions so far include:
PART
2 - ASSIGNMENTS
· After we
study the two short stories, each of you will choose a Dystopian story to read.
You will address the questions listed above in your journal with the addition
of the following:
What are the similarities and
differences between your short story and “Harrison
Bergeron” and “The Lottery? Think about the dystopian controls, the
qualities of dystopian protagonists, the mood, tone, and, of course, theme.
· As an individual project, you will
1.
Create a visual dramatic arc in the form of a
horizontal timeline that reveals by quotes and explanations the status quo,
rising action (first conflict, ensuing conflicts,) crisis, climax, and falling
action or resolution (I WILL PROVIDE THE ORGANIZER FOR THIS),
2.
Additionally, you will write down theme of your
story with supporting evidence on the same visual (I WILL PROVIDE THE ORGANIZER
FOR THIS),
3.
Finally, you will write a “book review” for your book that will be publically your review in
the blog on your Weebly website.
Reading Journal and Dramatic Arc and Theme Analysis
Standards
·
Determining
theme or central idea of a text and analyse its development, including its
relationship to the characters, setting, and plot.
·
Analyse
the extent to which a film of a story stays faithful or departs from the
text.
|
STEP 2 - READING ANALYSIS CHECK LIST
Evaluate your ability to read and
understand the style and characteristics of Dystopian literature on a scale
from 1 to 7.
|
YES!
1-7
|
NOT
SURE
1-7
|
NO
Not at all!
|
I
have determined and written down
my idea of the theme of story I read in my reading journal.
|
|||
I
have provided evidence from the
text to support my theory about my story’s theme in my reading journal.
|
|||
I
have analysed the dramatic arc in
my self-selected dystopian story and I am able to identify the events that move the D.A. forward. I have written
that analysis in my reading journal and on the organizer I was given.
|
|||
I
have compared the differences
between the text of Harrison Bergeron and the short film and I have developed a few theories why the film
sometime departs from the text. I have
written these theories in my reading journal.
|
Dystopian Literature - "The Lottery"
dystopian literature.
By now you should have your self-selected novel chosen and approved.
We will begin by reading and analysing a short story:
"The Lottery" Shirley Jackson –
This is one of my favorite short
stories of all time. I will show you how you might consider annotating the text.
As
you read this story, annotate the text. In other words, make your thinking
visible. USE POST-IT NOTES, and you can annotate directly onto this copy.
REMEMBER: You are looking for evidence about theme
and identifying the dramatic arc.
1.
ASK questions. For instance:
Why is this moment important?
What is the author trying to say?
Why did the character choose to do
(something)
or say (something). . .
2.
INTERPRET and/or INFER meaning
in unclear
or confusing passages.
3.
DEFINE unfamiliar
vocabulary ‐‐ especially using context clues.
4.
HIGHLIGHT
and COMMENT on words, phrases, and passages that relate to
the themes (quotable quotes): Freedom, Equality, Safety, and Individuality.
5.
REREAD the story to be sure
you thoroughly understand it.
6.
What is the TONE
of the story?
7.
CONNECT: can you think of similar stories you have read or
movies you have seem that have the same tone?
|
Thursday, October 6, 2016
Wednesday, October 5, 2016
C Block Dystopian Presentations
Tuesday, October 4, 2016
Homework reminder
BLOCK C AND D, PLEASE TURN YOUR DYSTOPIAN PRESENTATION
REFLECT BY FRIDAY.
IF YOU ARE COMING TO THE PARENT TEACHER CONFERENCE,
YOU CAN BRING IT THEN.
F AND H BLOCK, YOUR REFLECTION IS DUE ON FRIDAY, TOO.
BE SURE TO HAVE YOUR PARENTS SIGN IT.
REFLECT BY FRIDAY.
IF YOU ARE COMING TO THE PARENT TEACHER CONFERENCE,
YOU CAN BRING IT THEN.
F AND H BLOCK, YOUR REFLECTION IS DUE ON FRIDAY, TOO.
BE SURE TO HAVE YOUR PARENTS SIGN IT.
Monday, October 3, 2016
Presentation Day
PRESENTATIONS TODAY
Presenters you must:
Audience you must:
After the presentations you can:
hanging up your book covers
journal
Presenters you must:
- be organized
- be ready for questions
- share your PPT or Prezi with me so I can post it on the blog
Audience you must:
- be a good listener
- take notes in your LA notebook
- (brown one, not black one)
- ask the presenters question
After the presentations you can:
- write your reflection in preparation of home
- update your book list, including
hanging up your book covers
- reading and writing in your
journal
- Membean
DYSTOPIAN PRESENTATION RUBRIC
NAME_________________________________________________________________
DYSTOPIAN PRESENTATION RUBRIC
Verbal Presentation
§ Voice tone (monotone Þdynamic/colorful)
§ Use of mood to reflect topic (no sense of
moodÞfabulous/effective use of mood)
§ Volume (too soft/mumble Þ loud/clear)
§ Rate (speedy Þ well paced)
§ Enunciation (muddled Þ clear)
§ Effective audience interaction (none Þthoughtful engagement)
§ Fillers: like, ah, you know, well
(excessive Þ none)
|
1
1
1
1
1
1
1
1
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2
2
2
2
2
2
2
2
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3
3
3
3
3
3
3
3
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4
4
4
4
4
4
4
4
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Platform Appearance
§ Depends on notes (excessive Þ seldom)
§ Posture (unnatural Þ balanced)
§ Expression (sober/frozen Þ friendly/dynamic)
§ General appearance (distracting/nervous Þ natural/relaxed)
§ Gestures (distracting Þ natural/effective)
§ Eye Contact (avoidance Þ relaxed/penetrating)
§ Dress (inappropriate Þ reflects topic and enhances credibility)
|
1
1
1
1
1
1
1
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2
2
2
2
2
2
2
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3
3
3
3
3
3
3
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4
4
4
4
4
4
4
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Content of Speech
§ Use of strong words and/or phrases
(common diction Þ powerful and compelling)
§ Relevance to audience
§ Organization of points (confusing Þ logical)
§ Subject (shows an understanding &
passion for topic)
§ Visual enhances speech topic
§ Visual’s layout is clear and easy to
see/read
|
1
1
1
1
1
1
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2
2
2
2
2
2
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3
3
3
3
3
3
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4
4
4
4
4
4
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Preparation
§ Timeliness (You are an equal partner in
presentation minutes)
§ Note Cards (preparation), cards numbered
§ Comfortable with interaction between
speech and visual
|
1
1
1
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2
2
2
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3
3
3
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4
4
4
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